It’s that time of year again, and I’m going to be at it again — or at least try to. Today’s stream features the Native Instruments Kontrol S49 MkIII controlling a hybrid configuration consisting of Ableton Live and a mixture of hardware and software synths.
As you may already know, I recently acquired a Polyend Tracker. It was not something I’d planned to buy.
It was on sale….
Space-Ambient Drone music, perfect to put on in the background and veg out to. Enjoy! (UPDATED with corrected audio! IT sounds much better now!)
I made a new noise this evening. It started out to be another “audition” for Autochroma. And then I remember I’d wanted to try using PaulXStretch, too. One thing led to another, as it usually does. Oh, yeah. Stepic is involved, too.
Dark Days is the result of a seemingly simple community challenge from Free Beat — use a provided sample and create a song. Beyond that, there were no real rules or limitations imposed.
One of the things I think about when I think about electronic music is the future performance aspects. Unlike a “regular” band, there’s not a lot happening on the stage for an audience to look at. So, what does the visual aspect of an electronic music performance look like?
This is post 1 of 2 in the series “Live Streams” Live Stream March 12, 2023 Live Stream — April 2, 2023 — EHX 1440 Looper for Frippertronics-style Ambient Music Yesterday, I launched my inaugural live stream on YouTube! (I’ve posted many videos to YouTube,… Read More »Live Stream March 12, 2023
Today is Tuesday, the thirty-first day of #jamuary2023. This is it. One final jam. It is … over.
There will be more about the overall Jamuary2023 experience and my take-aways later. But not too much later, so stay tuned….
Today is Monday, the 30th day of #jamuary2023. Today again features the 1010Music nanabox LemonDrop for an industro-ambient take on the pan flute. What would Zamfir think?
This is post 29 of 31 in the series “JAMUARY2023” Videos from Jamuary 2023 #JAMUARY2023-1 #JAMUARY2023-2 #JAMUARY2023-3 #JAMUARY2023-4 #JAMUARY2023-5 #JAMUARY2023-6 #JAMUARY2023-7 #JAMUARY2023-8 #JAMUARY2023-9 #JAMUARY2023-10 #JAMUARY2023-11 #JAMUARY2023-12 #JAMUARY2023-13 #JAMUARY2023-14 #JAMUARY2023-15 #JAMUARY2023-16 #JAMUARY2023-17 #JAMUARY2023-18 #JAMUARY2023-19 #JAMUARY2023-20 #JAMUARY2023-21 #JAMUARY2023-22 #JAMUARY2023-23 #JAMUARY2023-24 #JAMUARY2023-25 #JAMUARY2023-26 #JAMUARY2023-27 #JAMUARY2023-28 #JAMUARY2023-29 #JAMUARY2023-30 #JAMUARY2023-31… Read More »#JAMUARY2023-29
It’s the 28th day of #jamuary2023 and I’m back with my trusty Boss RC-3 looper and the Korg Wavestate for another day of jamming. Someone said I was cheating for using extremely long (song length) loops recently, so today’s jam features a fairly short loop…
I started out with the idea to do a simple, space-ambient piece using one patch in a single “real-time” pass using the Korg Wavestate. That’s not what actually happened. Such is the way of a jam, I suppose.
It’s the homestretch of #jamuary2023, and I’ve got another Korg Wavestate jam — just me, the Wavestate, and the Boss RC-3 looper.
Today’s jam continues with an exploration of the Korg Wavestate, and again uses a selection of factory presets. While I will eventually want to do more of my own sound design on the Wavestate, the sounds provided by Korg and available from third parties are excellent and are great starting points for jamming or performing.
When I got up this morning, I wasn’t sure what I was going to do for #jamuary2023 today. It’s the 24th day, by-the-way. As of last night, I hadn’t planned on using the Wavestate at all. But, lacking a plan leads to rash decisions. And so …